Saturday, February 11, 2012 8:26am EST
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"I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration... sit side by side. ... Like my fellow musicians, I've got to forge a unique style and voice that expresses my own quest for truth and love. ... I must unapologetically reveal my broken life as a thing of beauty."
--West, Cornel. Brother West: Living and Loving Out Loud, A Memoir. New York: Smiley Books, 2009, pp. 4-5.
"A formulation was taking shape in my mind and heart: that the centrality of vocation is predicated on finding one's voice and putting forth a vision. All three are intertwined: vocation, voice, and vision."
--Ibid. p. 87.
"On the operating table, I was thinking once more of all the unbelievable blessings that I'd been given throughout my life. I didn't know whether I was going to die or not. I had to wait and see. But I refused to let death come in like a thief in the night and steal the joy and love I had already given and received. I was so grateful that God had allowed me to pursue my spiritual vocation of promoting unarmed truth and unconditional love."
--Ibid. p. 225.
He is peerless and matchless. One of a kind. Once in a lifetime. If I stopped this short into my review of the incomparable Cornel West, I'm well convinced justice would have been served in honoring this grand intellectual icon who has changed so many lives and saved many more--including this humble writer's.
Three years to the date, I still hadn't quite grasped what my life's purpose was to amount to. I still lacked any coherent explanation of what shape and direction my movement through space and time would or should take. I was still engaging in the most frivolous of activities, burning up the last left of my chance at redemption. That was until I heard Dr. West speak. And everything--literally everything--changed. My life hasn't been the same since; and I stand confident today, unashamed to declare that if I missed that opportunity, if it somehow passed me by, not only would I not be where--intellectually, spiritually, socially--I am today, it's also likely I wouldn't be where--physically--I am today.
For this reason and many more, I was filled with illimitable joy upon hearing, earlier this year, that Dr. Cornel West, born June 2, 1953 in Tulsa, Oklahoma, was preparing a memoir which would go into specific detail about the many adventurous twists and turns his life journey has made and continues to make. From Professor, to Philosopher, to Poet, this man has done it all.
But before emerged on the national scene a Harvard and Princeton graduate whose remarkable insight won him several visits to the White House in the '90s and an American Book Award, "Little Ronnie," the much younger, less amiable Cornel West was threatening to snuff out that budding genius from breaking out the shell.
Little Ronnie was ruthless; he beat up bullies badly, refused to stand up to recite the Pledge of Allegiance at age 9, assaulted teachers, shook-down classmates to share their lunch with the poorer kids (democratic socialist in training?), smacked up oversized jocks, got expelled, and brought his parents much grief and agony.
"Most of my fights had to do with bullies beating up on younger kids," Dr. West writes, recounting some of those experiences. "Maybe I saw myself in some Robin Hood role. I'd notice that poor kids came to our school without money. Others had money to spare. So I forced the haves into giving to the have-nots."
Little Ronnie's adolescent hostility might have been a cheap imitation of his maternal granddad, Big Daddy--"one bad brother." Big Daddy was rare--a Negro with the courage enough to tell white folks why intimidation was a sense he couldn't feel, a flavor he couldn't taste. Like Nina Simone's "Peaches" who'll "kill the first mother I see," Big Daddy, West warns, "carried a piece and would lovingly crush a motherhucker for unduly messing with him or his family."
Little Ronnie's antics carried on for months and years until his loving parents had had enough. The next step was to find a way through which the rage could be channeled constructively. No, not boot camps, not military drills, not abandonment, not disownment, not a thousand lashes of the strap; rather, an avenue that would affirm his dignity while still making it known violent outbursts were unacceptable:
"Give this child more books," they said. "Give him more trained teachers. Give him tougher lessons. Challenge his little mind. Keep him busy learning new things. Keep him intellectually stimulated and all that violent business will soon fall by the wayside."
And it did.
Clifton and Irene West didn't have to be neuropsychologists or psychoanalysts to know the right solution wasn't a full-fledged disciplinary crackdown on the young, exuberant, misguided mind. They simply saw the potential for greatness in their child, realized how unfortunately he was masking it with unscrupulous ways, and set his soul on fire with the matchstick of love and the gasoline of patience.
His Christian faith, Brother West tells us, also provided the amazing grace this wretched soul longed for. West is unabashed about his love for Jesus Christ--as he should be. But, in the prophetic tradition of Socratic questioning and inclusion, theological supremacy is a grammar he lacks the tongue to speak: "I'm the kind of Negro who can worship in a lot of settings and still feel the presence of God."
If anyone wonders why this man on the move can often be found in more prisons than palaces and classrooms than castles, it might be because as a child a voodoo specialist helped cure an asthmatic ailment that threatened to stop his beating heart. This experience forever moved him "in a more ecumenical direction. I began to understand that answers to problems--physical, emotional, and spiritual--often require enquiries that go beyond the confines of narrow dogma."
Narrow dogma has trapped many a Black man and woman, many a White man and woman, from transcending the slavish mental, psychological, and racial confines of existence White Supremacy needs to survive. If anyone deserved to cultivate narrow dogma early in life, it was Cornel West, who, at 14, moved with his family to a bigger house on the better--Whiter--side of town. His neighbors, strangely enough, failed to share in the joy this forward step the West family was taking brought forth. As though reenacting a bitter scene from Lorraine Hansberry's timeless 1959 Broadway breakthrough, A Raisin in the Sun, some of the white neighbors tried to buy back the house. The offers were turned down. Then it got nasty--threats, intimidation, coercion, etc. The power of love and politeness, however, calmed the raging storm. This would be one of the many "teachable moments" in Dr. West's young life.
No one knows exactly when his intellectual awakening truly began, but it may be safe to credit the late, distinguished sociology great, St. Clair Drake for inspiring the young Cornel enough to start thinking critically about "a major or, beyond that, a vocation." Through word of mouth, West was told the wonders of Dr. Drake, and, at that moment, that time-freezing moment, his elation morphed into "miraculous passion."
Miraculous passion is the kind of intellectual pursuit that makes a 17-year-old Harvard freshman graduate a year earlier Magna Cum Laude; the kind that could make one miss an Al Green concert, having stumbled, last minute, upon the classic philosophical tome, Wittgenstein's Vienna.
Other works of great art would influence him--a not-so-unlikely source among them being Hip-Hop ("story telling... spoken in a metric bark"). Yes, that most savage of our creations! Unlike many others peers, as early as 1982, Dr. West, pioneer-style, had begun putting some serious academic examination into this emerging cultural phenomenon. Hip-Hop, he described that year in Le Monde Diplomatique as an "[Africanization] of Afro-American popular music" which "recuperates and revises elements of black rhetorical style."
He would go on to explore Hip-Hop's "syncopated polyrhythms, kinetic orality, and sensual energy" in the three Hip-Hop/Spoken Word albums he's released thus far (Sketches of My Culture, Street Knowledge, and Never Forget: A Journey of Revelations)--which, in solidarity with other reasons, raised the ire of former Harvard President, feminist warrior, and current Director of the National Economic Council, Lawrence Summers, who failed to realize, until it was too late, that, much like the Wu-Tang Clan, Dr. West "ain't nuthin' to f**k with."
Brother West unravels the life of this gifted thinker who, even at the younger stages of his life, wasn't satisfied with a unilateral existence: "I was looking to challenge and be challenged, looking to teach and be taught, looking to be a good student, an honest thinker, and a decent human being. I was trying to balance the personal with the professional."
His scholarship, like his "change," came early: At twelve, he wrote a 250-page history of Canada, and at thirteen a 180-page history of Mexico City. Perhaps this was around the time it was becoming increasingly clear to those around him he was destined to be a problem--once that final leap to maturity took place.
Still, his many accomplishments didn't come without obstacles. Three failed marriages are a grim reminder. An emotional battle with cancer almost a decade ago also does the job of reasserting the fragility and vulnerability of human life. But no one, in spite of these travails, could be more focused than Dr. West.
In fact, the great doctor has remarkably found a way to make sense of the world through his personal sufferings and shortcomings. His cancer-stricken body dovetailed with the introductory years of the second Bush presidency. Democracy Matters: Winning the Fight Against Imperialism, his powerful text released in 2004, follow-up to the groundbreaking Race Matters, grew out of that experience. Much like his cancer, the neo-liberal cancer was "eating at the body politic." It was "fueled by greed, and indifference to the poor and disinherited. As it spread, it would corrode the nation's spirit and weaken our economic immune system."
The deficient cells of morality conceded as the tumor of racism spread wide across this body politic. Xenophobia and Negrophobia were early symptoms. Dr. West knows this. And Race Matters was meant, in many ways, to begin the healing process--even if certain folks (like Secretary of State Hillary Clinton, who wondered to him once during a visit to the White House "why blacks don't take advantage of all these opportunities they have") didn't/don't get it. So, whether dining with arch-White nationalist Pat Buchanan or dialoging with supreme racist Rush Limbaugh, Dr. West is comfortable speaking the "unarmed truth" with enough love to neuter even the most reactionary of extremists.
But Brother West also reserves ample space for light-heartedness, wrapped in the garment of memory and recollection.
So, whether lighting Jazz divine Sarah Vaughan's cigarettes in between sets, or carrying bags for soprano singer Kathleen Battle (with whom he was, at a time, romantically involved), Dr. West hid nothing about his past--and I can only imagine present--pursuits of love and passion. He loved the ladies and the ladies loved him. Bigger brother Clifton L. West III provides much needed validation.
And though he swears his distinguished fashion sense is "deep and operates on lots of levels at once," it's hard to read deepness in: "I like the three-piece black suit and tie because I think it looks cool. It makes me feel cool and ready to face the world." In his defense, Dr. West can lay claim to a mural in New Jersey painted in his honor (The Cornel West Wall), countless name-checks on Hip-Hop songs, a Hip-Hop Christian band bearing his name (The Cornel West Theory), and a popular 2007 album titled after one of his lectures (Lupe Fiasco's The Cool). That's pretty cool.
All this, though, would mean nothing without a legacy to continue the work begun and extended through his ministry. That legacy is almost incomplete without his two kids, whom he advises ardently: "The first step toward wisdom and maturity are to gain self-respect and self-confidence."
Dr. West, in the finest tradition of Muddy Waters, B.B. King, Ralph Ellison, Robert Johnson, and Buddy Guy is a bluesman.
Brother West, as he would like to be called, has only just begun. You ain't seen nuthin' yet! One half-century down; at least one more to go.
The "shudder" of death has failed to stop him. The claws of defeat haven't been successful either.
The "raw blues" of his life is what saved me, and the least I can do is ask that you go pick yourself up a copy of this brilliant memoir of a man who is still a mystery to some but a miracle to others--like myself.
Watch The Inimitable Dr. Cornel West In Action:
Tolu Olorunda is a columnist for BlackCommentator.com, and a contributor at TheDailyVoice.com.
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2009-10-13 10:52:54
Sorry your stated reasons for disliking West does not match up to the vitriol you unleashed against him. Something about that logic does not add up.
2009-10-13 13:29:14
2012-01-03 20:17:56
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